Matthew Walsh is a queer poet from Nova Scotia whose debut collection of poems was released with Goose Lane/Ice House, titled These are not the potatoes of my youth. Their work was recently published in The Malahat Review, Plenitude, and Train.
How did you begin writing, and what
keeps you going?
writing at an early age. I remember being in grade two with Mrs. Ruck and
always getting high marks in spelling tests and I really liked words, and then
we were given this assignment where we had to write out own stories about
travelling to space, and mine ended up being thirteen pages on this kind of
stationary shaped like space ships—we had to read them to the class so I kept
adding pages to get out of presenting the story, but the teacher was clear that
I had to get up and read but I wouldn’t I just stood there, I remember, until
the teacher was like « all right, read one page » and eventually I
read the page.
What keeps me
wanting to write and having the urge to write is reading, and seeing things
happen around the city or where I happen to be, for better or for worse. The
other day, I walked into a room where someone had freshly peeled an orange so
now I am trying to write a poem that ends like a line about a freshly peeled
orange. I think I can make it work!
Have you noticed a difference in how
you approach writing now that you’ve published a full-length collection?
Now that I got that first book out of
me, I feel like I can be more confident in my approach to writing and more
relaxed. I`m having more fun writing in a weird way because I`m not working
towards a book now, I`m just writing poems that will hopefully and eventually
be turned into a book.
What poets have influenced the ways
in which you write?
I really admire Ali Blythe’s books, Twoism and Hymnswitch, just so good. Frances Ponge for his views on things and
his weird angle of everyday life. I really love the creativity and voices of
Erin Moure—Sheep’s Vigil by a Fervent
Person is still one of my all-time favourite books. Amber Dawn for the
dynamite poems I have seen her read on stage, she is just so good at
deliveries. I got to see her read in Toronto recently, and this new poem of
hers was just so well written and thought-provoking. Also, Hana Shafi is a very
great reader, so if you get the chance, catch them read.
How important has mentorship been to
your work? Is there anyone who specifically assisted your development as a
It’s good to have a place to be alone
to write, but is also important to have people to share ideas with, tell jokes
with and who you can just be yourself around and share details about your
projects in confidence. Keith Maillard really helped me in the short story
department, and Sheryda Warrener, who guided a few of my MFA classes and helped
me with my first book was an amazing person to talk with about poetry. I still
have all their notes and I read them from time to time when I get down on
What are you currently working on?
I am currently working on my second
book, it’s about bodies, bodies in the media, homophobia, internalized
homophobia, and problematic depictions of queer people in television and
movies, at least right now. There are a couple of poems about the beach as well
which might be a completely different thing. Who knows, it’s in the gestation
Can you name a poet you think should
be recieving more attention?
I really like the poetry by David Ly,
from Vancouver, who has a new book coming out called Mythical Man, and I just finished reading a chapbook by Jason
Purcell, A Place More Hospitable, and
have you read Hana Shafi’s It Begins with