Ian Seed
At the
packed trade fair, I bumped into my old boss. He suggested we swop business
cards so that we could arrange to meet for dinner. In contrast to my plain
white one, his was designed in elegant vintage style with gold lettering on a
background of dark blue sea. However, I saw that his surname was missing some
letters. ‘Bob Brooker’ had become ‘Bob Brook’. I was wondering whether to say
something about this when he told me that on my card I was now ‘Ian See’. Why
hadn’t I spotted this before?
‘Anyway,
you look well,’ I told him. And he did. Beneath his now bald cranium, his eyes
had retained their boyish eagerness, and his tailor-made suit showed off his
athletic frame.
‘You
too,’ he said, with some hesitation, looking me up and down. ‘That is,’ he went
on, ‘apart from the broken veins on your nose.’ I had noticed these myself in the mirror only
the other day. They were spreading out and downward in tiny intersecting
streams. They seemed to have come from nowhere, and I had no idea what to do
about them.
Ian Seed’s latest collections are New York
Hotel (Shearsman, 2018), which was selected by Mark Ford as a TLS Book of
the Year, and Distances (Red
Ceilings, 2018).
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