Showing posts with label Jared Schickling. Show all posts
Showing posts with label Jared Schickling. Show all posts

20180820

A Coral to Dedicate the Miracles You Enrich

Jared Schickling



But I should be untrue to computer science, scratching among its molested moons 
so let us attempt to tell a story without aerial redundancies. 
Spring brings all the penetrates. 
Enjoy the many hollow attempts to make 
the wonderful phlegm. 
There is solute fortune in entertaining it. 
If you were not the wine the self-assured moon 
cooks, sprinkling its peach across the heights. 

A chaotic metaphor taunts 
even the secure 
historical area in inscription 
to which the metaphor 
will not be dawned. 
The reflections exist even when there is 
little to say, and it ceases 
around it in darkness. 
My nocturnal nose relinquishes you always. 

One of them is cleansed, 
the other knows details. 
Where is everybody 
he quips, and when can we see what 
is going to happen? 
The boulevard within hers 
a history we tell in passing, 
with notions of tiredness 
and a passion for journalism and computer science. 

 

 

In addition to journal and ephemera pieces, Jared Schickling is the author of several BlazeVOX books, including The Mercury Poem (2017) and Province of Numb Errs (2016).  Other books include Needles of Itching Feathers (The Operating System, 2018); The Paranoid Reader: Essays, 2006-2012 (Furniture Press, 2014); Prospectus for a Stage (LRL Textile Series, 2014); Donald Trump and the Pocket Oracle (Moria Books, 2017); and Donald Trump in North Korea (2017).  He edited A Lyrebird: Selected Poems of Michael Farrell (BlazeVOX, 2017), and he edits Delete Press and The Mute Canary, publishers of poetry.  He lives in Lockport, NY. 

 

20180618

Train : a journal of introduction

Issue #1 : Sean Braune MLA Chernoff nathan dueck Bhaswati Ghosh Canisia Lubrin Geoffrey Nilson Craig Santos Perez Julia Polyck-O’Neill Shazia Hafiz Ramji Rebecca Rustin Jared Schickling Aaron Tucker

A limited amount of copies will be available for free at the following locations:

includes shipping

Sean Braune’s first book of philosophy, Language Parasites: Of Phorontology, appeared in 2017 from Punctum Books. His poetry has appeared in ditch, The Puritan, Rampike, Poetry is Dead, and elsewhere. He has two poetry chapbooks out with above/ground press—the vitamins of an alphabet (2016) and The Cosmos (2018)—and a third forthcoming called Face Portraits and Author Cops. A chapbook of his creative writing has appeared from AngelHousePress called Story of Lilith (2017).

MLA Chernoff (@citation_bb) hopes this finds you well. They live a quiet life in “Toronto” (stinky, parasitic condotown) where they collect and care for erotic Minions™ figurines. MLA is a PhD candidate at The Neoliberal University of York University. Their first collection of pomes, delet this, was published by Hybrid Heaven in 2018. Please remember to hit like and subscribe. Best wishes xo xo

nathan dueck’s middle name is russel, which means his initials spell “nrd.” His parents tell him that nobody used that word when he was born, but dictionaries say otherwise. He is the author of king’s(mère) (Turnstone Press) and he’ll (Pedlar Press). His next poetry collection, A Very Special Episode, is forthcoming from Buckrider Books. 

Bhaswati Ghosh writes and translates fiction and nonfiction. She’s currently writing a non-fiction book on Delhi, India. Her work of translation from Bengali into English–My Days with Ramkinkar Baij–has been published by Niyogi Books. This work won her the Charles Wallace (India) Trust Fellowship for translation, as part of which she was a 2009 translator in residence at the University of East Anglia, Norwich, UK.

Bhaswati’s writing has appeared in several literary journals, including Cargo Literary, The Maynard, Stonecoast Review, Pithead Chapel, Warscapes, Earthen Lamp Journal, Open Road review, and Coldnoon International Journal of Travel Writing. She has a background in journalism and writes for The Wire.

Bhaswati currently lives in Ontario, Canada with her husband. Her website is www.bhaswatighosh.com.

Canisia Lubrin is a writer, critic, teacher and editor. She has an MFA from University of Guelph. Her debut collection of poems Voodoo Hypothesis (Wolsak & Wynn, 2017) was named a CBC Best Book of the Year, finalist for the Gerald Lampert Award, Pat Lowther Award and Raymond Souster award.

Geoffrey Nilson is the author of In my ear continuously like a stream (above/ground, 2017), O (Swimmer's Group, 2017), and We Have to Watch (Quilliad, 2016). His poetry and prose has appeared in various publications including Coast Mountain Culture, CV2, Lemon Hound, PRISM international, and The Capilano Review. He is a contributing editor for Arc Poetry Magazine and is currently at work on a collection of short fiction. 

Craig Santos Perez is a native Chamorro from the Pacific Island of Guam. He is the co-editor of three anthologies and the author of four collections of poetry. He teaches at the University of Hawaiʻi, Manoa.

Julia Polyck-O’Neill is an artist, curator, critic, and writer. She is a doctoral candidate in Brock University’s Interdisciplinary Humanities program, where she is completing a SSHRC-funded interdisciplinary and comparative critical study of contemporary conceptualist literature and art in Vancouver. She has taught in art history and contemporary visual culture in the department of Visual Arts at the Marilyn I. Walker School, and is currently a visiting lecturer in American Studies at Johannes Gutenberg University in Mainz, Germany. Her writing has been published in B.C. Studies, Feminist Spaces, Tripwire, Fermenting Feminisms (a project of the Laboratory for Aesthetics and Ecology, curated by Lauren Fournier), and The Avant Canada Anthology (WLU Press, forthcoming 2018). Her debut chapbook, femme, was published in 2016 by above/ground press; a second above/ground chapbook is forthcoming in August 2018.

Shazia Hafiz Ramji’s first book, Port of Being, is forthcoming from Invisible Publishing in fall 2018. She is the author of the chapbook, Prosopopoeia (Anstruther Press, 2017), and her poetry and fiction are forthcoming in Best Canadian Poetry 2018 and The Humber Literary Review, respectively. Shazia is an editor for Metatron Press and Canadian Women in the Literary Arts.

Rebecca Rustin is a freelance writer and translator in Montreal, QC, with poems in Prism and Pioneertown.

In addition to journal and ephemera pieces, Jared Schickling is the author of several BlazeVOX books, including The Mercury Poem (2017) and Province of Numb Errs (2016).  Other books include Needles of Itching Feathers (The Operating System, 2018); The Paranoid Reader: Essays, 2006-2012 (Furniture Press, 2014); Prospectus for a Stage (LRL Textile Series, 2014); Donald Trump and the Pocket Oracle (Moria Books, 2017); and Donald Trump in North Korea (2017).  He edited A Lyrebird: Selected Poems of Michael Farrell (BlazeVOX, 2017), and he edits Delete Press and The Mute Canary, publishers of poetry.  He lives in Lockport, NY. 

Aaron Tucker is the author of the novel Y: Oppenheimer, Horseman of Los Alamos (Coach House Books) as well as two books of poetry, Irresponsible Mediums: The Chess Games of Marcel Duchamp (Bookthug) and punchlines (Mansfield Press), and two scholarly cinema studies monographs, Virtual Weaponry: The Militarized Internet in Hollywood War Films and Interfacing with the Internet in Popular Cinema (both published by Palgrave Macmillan). His current collaborative project, Loss Sets, translates poems into sculptures which are then 3D printed (http://aarontucker.ca/3-d-poems/); he is also the co-creator of The ChessBard, an app that transforms chess games into poems (http://chesspoetry.com). Currently, he is an uninvited guest on the Dish with One Spoon Territory, where he is a lecturer in the English department at Ryerson University (Toronto), teaching creative and academic writing. He will be beginning his doctorate as an Elia Scholar in the Cinema and Media Studies Department at York University.


20180611

Since the End of Silencing

Jared Schickling



And outside my hammock, during the lunchtime, I woke up naked 
and full of sincerity. 
You’ve asked me what the squirrel is treading there with his sand-colored hips? 
I reply, the miracle knows this. 
Full stop. 

What seams a disjoint to one will not seem so to another. 
Draw from it the cold 
sequence of its own antennae. 
Outside the shattering masks. 
There are many pigeon holes in front of whirlwinds of events. 

The serendipity rejoices in re-covering your eyeballs. 
We get the feeling 
they must lots to perform 
to each other 
or 


perhaps nothing but graves. 
Perhaps they do not falter. 
Pulled out and closed off, like land. 
Bleak weather, raucous lights like the miracle. 

This mechanical stalks of cattail and beginning fountains loiter 
with delicious lakes like noses to noses 
and black guitars like curves to a moon. 
Only home, just the 
grace, nothing but 
it. Perfume. 
Your prize is snow filled with a railroad track. 
As if to gnaw or shine, or crush. 
With its hollow blush, come with me to the circumstance of lampreys. 


Growing a tree 
rescued in the unguessed wind. 
With the quilt of the jungle where you sleep, 
a dream smothers the sequence. 


My angelic ears protect you always. 
The moonlit paths ignored, a language shines, 
replaces – it does not return. 


Reconciling the tiger of the book full of pride. 
Inside the ritual of the heights where you sleep, 
a dream sodden in calculations. 

Once there was a motionless astronaut who 
dedicated at parties, sitting in a triangle, among kisses. 

 

 

 

 

In addition to journal and ephemera pieces, Jared Schickling is the author of several BlazeVOX books, including The Mercury Poem (2017) and Province of Numb Errs (2016).  Other books include Needles of Itching Feathers (The Operating System, 2018); The Paranoid Reader: Essays, 2006-2012 (Furniture Press, 2014); Prospectus for a Stage (LRL Textile Series, 2014); Donald Trump and the Pocket Oracle (Moria Books, 2017); and Donald Trump in North Korea (2017).  He edited A Lyrebird: Selected Poems of Michael Farrell (BlazeVOX, 2017), and he edits Delete Press and The Mute Canary, publishers of poetry.  He lives in Lockport, NY.